Showing posts with label ARCH1101. Show all posts
Showing posts with label ARCH1101. Show all posts

Monday, 29 June 2015

ARCH1101: EXP3 - Final Tutorial Marking Criteria


ARCH1101: EXP3 - Final Renders

Full Building
Bridge

Fractal Design + Building Facade


Computer Room

Lecture Room

Studio/Meeting/Research Room

Smaller Studio Room - On Ground Floor

Library

Workshop
Study/Studio Rooms

Larger Studio Room


Moving Element - Added Shade

Moving Element - Retractable Balcony Area


ARCH1101: EXP3 - Walkthrough + Moving Elements

Vimeo Video

ARCH1101: EXP3 - Textures




ARCH1101: EXP3 - Lumion + SketchUp Files

Dropbox Link

ARCH1101: EXP3 - Perspective Models


ARCH1101: EXP3 - Article Mash-Up

Architecture Article:
Fractal geometry, a branch of mathematics developed in the 1970s studies abstract configurations characterized by self-similarity patterns and recursive growth (Mandelbrot, 1982). Although, from the mathematical point of view, fractal objects are sets that have fractional dimension so that they are intermediate objects between one and two dimensional shapes or two and three dimensional forms (Falconer, 2003), but in the general sense fractal objects show the properties of being exactly or nearly the same at every progressive scale. However, in mathematical definition, no natural object is purely a fractal, instead it can be called as an ‘approximate fractal’ or ‘statistical fractal’ that display ‘self-similarity’ and ‘self-affinity’ over extended but finite scale of ranges (Bovill, 1996). In this paper ‘fractal’ term is frequently used to refer natural fractal, means ‘approximate fractal’ or ‘fractal-like’.
Engineering Article:
He has invented a new way of describing, calculating and thinking about shapes that are irregular and fragmented, jagged and broken up. A new geometry has emerged, and it turns out to be nature’s own…. The interesting feature of a lightning bolt’s path, for example, is not the straight line direction, but rather the distribution of its zigs and zags…. A new kind of symmetry has emerged, not of left to right or front to back, but of small scale patterns to patterns on larger and larger scales, the self-similarity of a broccoli floret whose tiny bifurcations echo the branching of the stalk as a whole…. Oddly, the mathematical description of them seemed to apply just as well to very different problems, from fluctuating cotton prices since the 19th century to the rising and falling of the Nile River through two millenniums…. In unexpectedly orderly fashion, they have self-similarity on different scales.
Computational Design:

Phosphorus has long been the target of much research, but in recent years the focus has shifted from being limited only to reducing its detrimental environmental impact, to also looking at how it is linked to the global food security. Therefore, the interest in finding novel techniques for phosphorus recovery, as well as improving existing techniques, has increased. In this study we apply a hybrid simulation approach of molecular dynamics and quantum mechanics to investigate the binding modes of phosphate anions by a small intrinsically disordered peptide. Our results confirm that the conformational ensemble of the peptide is significantly changed, or stabilized, by the binding of phosphate anions and that binding does not take place purely as a result of a stable P-loop binding nest, but rather that multiple binding modes may be involved. Such small synthetic peptides capable of binding phosphate could be the starting point of new novel technological approaches toward phosphorus recovery, and they represent an excellent model system for investigating the nature and dynamics of functional de novo designed intrinsically disordered proteins.

ARCH1101: EXP3 - Draft Images



Using a Wall Texture/Pattern

Sunday, 10 May 2015

ARCH1101 EXP2: Final Renders

View From Inside A Car On The M7 Highway

ARCH1101 EXP2: Grasshopper Script

I used grasshopper to create the "torch" as it allowed me to have more control over my design parameters.

ARCH1101 EXP2: Final Design Explanation

My final design uses the theme of the olympic event, symbolizing the Olympic torch as the main marker, showcasing the location's significance as well as being visible from a long distance away. It also adopts the environmental texture theme from Neri Oxman, using the hedge and timber materials to represent a natural space. In addition, it also uses her concept of organic form, with a curvilinear rising above the ground. Furthermore, Cedric Price's concept of flexible spaces is also represented with the fractal and frame-like base of the marker, giving a stable base to the "torch".

ARCH1101 EXP2: 36 Custom Textures







ARCH1101 EXP2: Axonometric and Parallel Projections in Lumion

Axonometric Model

Parallel Projection

ARCH1101 EXP2: Parallel Projections


Statement 1: Flexible space is naturally created through the design of organic forms.

Statement 2: Environmental designs seamlessly blend with responsive buildings, allowing textures to be used for multiple uses.

Statement 3: Temporary structures can be easily changed through the use of effective material ecology.

ARCH1101 EXP2: 6 Axonometrics








Tuesday, 31 March 2015

ARCH1101: Image Renders

First Draft
Second Draft

Underground Workshop

Final Model - Workshop and Studio

Upper Level

Studio